Schedule by Week
BDaShow your friends Dancer in the Dark . . . a sure way to turn them into enemies . . .




Films                                                                                       Readings
 
Run Lola Run (Germany, 1998) "Blink of an Eye:  Filmmaking in the Age of Bullet Time"
"Restoration, American Style" (Event-Scene #90)
Man with the Movie Camera (Soviet Union, 1929) "Soviet Silent Cinema and the Theory of Montage" 
Rome, Open City (Italy, 1945) "Post-War Italian Neo-Realists" and "The Film Text and Film Form"
My Life to Live (France, 1962) "The French New Wave:  Its Influence and Decline" and "Impressionism, Surrealism, and Film Theory"
Faces (USA, 1968) "The Films of John Cassavetes" and "The Promise of the Personal Film"
Easy Rider (USA, 1969) The 1960s:  Frontier Metaphors, Developing Self-Consciousness, and New Waves" and "Hollywood's Collapse"
Sisters (USA, 1974) Attend Ann Arbor Film Festival
Superfly (USA, 1972) "Black Action Film," "Black Independent Cinema," and "Marxism and Film"
Dead Man (USA, 1995) Dead Man (bfi classics)
The Celebration (Denmark, 1998) "Rules of the Game:  Who Killed Dogma 95" and "Film and Postmodernism"
Jesus' Son (USA, 2000) Jesus' Son:  Stories by Denis Johnson
I Shot Andy Warhol (USA 1998) I Shot Andy Warhol script, and "Feminism and Film"