Films
Readings
| Run Lola Run (Germany, 1998) | "Blink of an Eye:
Filmmaking in the Age of Bullet Time"
"Restoration, American Style" (Event-Scene #90) |
| Man with the Movie Camera (Soviet Union, 1929) | "Soviet Silent Cinema and the Theory of Montage" |
| Rome, Open City (Italy, 1945) | "Post-War Italian Neo-Realists" and "The Film Text and Film Form" |
| My Life to Live (France, 1962) | "The French New Wave: Its Influence and Decline" and "Impressionism, Surrealism, and Film Theory" |
| Faces (USA, 1968) | "The Films of John Cassavetes" and "The Promise of the Personal Film" |
| Easy Rider (USA, 1969) | The 1960s: Frontier Metaphors, Developing Self-Consciousness, and New Waves" and "Hollywood's Collapse" |
| Sisters (USA, 1974) | Attend Ann Arbor Film Festival |
| Superfly (USA, 1972) | "Black Action Film," "Black Independent Cinema," and "Marxism and Film" |
| Dead Man (USA, 1995) | Dead Man (bfi classics) |
| The Celebration (Denmark, 1998) | "Rules of the Game: Who Killed Dogma 95" and "Film and Postmodernism" |
| Jesus' Son (USA, 2000) | Jesus' Son: Stories by Denis Johnson |
| I Shot Andy Warhol (USA 1998) | I Shot Andy Warhol script, and "Feminism and Film" |